Coming Forth by Day X (triptych)
sold - Coming Forth by Day X (triptych)
91.5 x 183 cm
91.5 x 61 cm ea.
Oil and acrylic on canvas
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βThe triptych was created whilst in lockdown: an exploration of longevity, stability and the current relationship with visual emblems and an accounting of symbols and systems. I had a yearning to discover timelessness amidst changing pasts and faiths. During times of shared forgetting and remembering, the narratives of sculptures encourage a frame of mind that is directed towards successes and victoriesβ.
- Bradley J. Foisset
*prices in SGD
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SOLD - Acrylic on canvas, 2023
76 x 61 cm
One with the Rock
SOLD - One with the Rock
oil and acrylic on canvas, 2022
30.5 x 22.8 cm unframed
38 x 30 cm framed
The Prometheus myth of punishment by Zeus, who bound him with chains and sent an eagle to eat Prometheus' immortal liver every day, which then grew back every night, inspired me to visually pen this letter to myself. The size A4 is the one that's closest to the traditional size used for correspondence. Years later, with Zeus' approval, the Greek hero Heracles slew the eagle and released Prometheus from this endless cycle of suffering. endure, strive and survive.
oil and acrylic on canvas, 2022 30.5 x 22.8 cm unframed 38 x 30 cm framed
The Prometheus myth of punishment by Zeus, who bound him with chains and sent an eagle to eat Prometheus' immortal liver every day, which then grew back every night, inspired me to visually pen this letter to myself. The size A4 is the one that's closest to the traditional size used for correspondence. Years later, with Zeus' approval, the Greek hero Heracles slew the eagle and released Prometheus from this endless cycle of suffering. endure, strive and survive.
Augury & Athame
Bradley Foisset, Augury & Athame (2018) Collage (Found book pages, paint, cotton) 103 x 67.5 cm (Framed)
Motherboard
Bradley Foisset, Motherboard (2018) Collage (Found book pages, paint, cotton, silver foil) 103 x 67.5 cm (Framed)
“The triptych was created whilst in lockdown: an exploration of longevity, stability and the current relationship with visual emblems and an accounting of symbols and systems. I had a yearning to discover timelessness amidst changing pasts and faiths. During times of shared forgetting and remembering, the narratives of sculptures encourage a frame of mind that is directed towards successes and victories”.
- Bradley J. Foisset
Bradley has participated in various collaborations, solo and group exhibitions including “Colour & Form”, SPECTRUM VERSION 3, THE MONOLOGUES, by Jeremy Sharma at ArtScience Museum (2019); “Monarch” at Chan + Hori Contemporary (2018); “Peculiar Textures” at Gallerie Steph, ARTSPACE@Helutrans (2015), “Cam Biasa” at Art One 21 (2014) and “Singapore Art Stage 2013” organised by the Singapore Institute of Contemporary Art at Marina Bay Sands (2013). Holding a Bachelor of Fine Arts from LASALLE College of the Arts / Goldsmiths University of London (First Class Honours, Presidents Award), he was also a recipient of the Winston Oh Travel Award (Mekong Delta, Vietnam).