Trained as a painter, Bradley Foisset’s multidisciplinary practice examines how memory, myth, and material culture shape personal and collective histories. Drawing on dark ecology, pagan symbolism, folk religion, and contemporary visual culture, he transforms found objects and images through processes of anointing, inscription, and hybridization.
Working across painting, collage, and installation, Foisset treats things not as passive artifacts but as active carriers of belief and memory. His work explores how cultural debris and inherited narratives are continually reconfigured, revealing new mythologies embedded within the everyday. Through these transformations, he investigates the porous boundary between lived experience and perceived reality, and the enduring power of objects to provoke, protect, and connect.
He has exhibited in numerous solo and group shows, including From a Time Before (Art Agenda, 2025), √2 (Square Root of 2) (Hatch Art Project, 2023), Broken Capitalism (Hatch Art Project, 2022), Monarch (Chan + Hori Contemporary, 2018), Peculiar Textures (Gallerie Steph, 2015), Cam Biasa (Art One 21, 2014), and Singapore Art Stage 2013 (Institute of Contemporary Arts Singapore, Marina Bay Sands). His works have also been shown at international fairs and are held in collections in Norway, Singapore,Thailand, Vietnam, and the United States.
Bradley holds a BFA (First Class Honours, summa cum laude) from LASALLE College of the Arts / Goldsmiths, University of London, where he received both the President’s Award and as a McNally Award finalist (Fine Arts Representative). He is a recipient of the Winston Oh Travel Award, having traveled through the Mekong Delta (Vietnam), and was recently invited to exhibit in the Winston Oh Lineage Travelogue Anniversary Exhibition (2024). Originally from downtown Buffalo, he graduated from The Buffalo Academy for Visual and Performing Arts (Photography, 1997).
Please direct inquiries regarding an extended list of archived projects to [email protected].
Working across painting, collage, and installation, Foisset treats things not as passive artifacts but as active carriers of belief and memory. His work explores how cultural debris and inherited narratives are continually reconfigured, revealing new mythologies embedded within the everyday. Through these transformations, he investigates the porous boundary between lived experience and perceived reality, and the enduring power of objects to provoke, protect, and connect.
He has exhibited in numerous solo and group shows, including From a Time Before (Art Agenda, 2025), √2 (Square Root of 2) (Hatch Art Project, 2023), Broken Capitalism (Hatch Art Project, 2022), Monarch (Chan + Hori Contemporary, 2018), Peculiar Textures (Gallerie Steph, 2015), Cam Biasa (Art One 21, 2014), and Singapore Art Stage 2013 (Institute of Contemporary Arts Singapore, Marina Bay Sands). His works have also been shown at international fairs and are held in collections in Norway, Singapore,Thailand, Vietnam, and the United States.
Bradley holds a BFA (First Class Honours, summa cum laude) from LASALLE College of the Arts / Goldsmiths, University of London, where he received both the President’s Award and as a McNally Award finalist (Fine Arts Representative). He is a recipient of the Winston Oh Travel Award, having traveled through the Mekong Delta (Vietnam), and was recently invited to exhibit in the Winston Oh Lineage Travelogue Anniversary Exhibition (2024). Originally from downtown Buffalo, he graduated from The Buffalo Academy for Visual and Performing Arts (Photography, 1997).
Please direct inquiries regarding an extended list of archived projects to [email protected].