Trained as a painter, Bradley Foisset’s multidisciplinary practice explores how memory, myth, and materiality converge to reframe cultural taboos, ritual, and personal ancestry. His work operates at the intersection of dark ecology, pagan symbology, and contemporary visual culture—drawing from folk religion, superstition, and youth aesthetics to reimagine narratives of power and transformation.
By manipulating objects through processes such as anointing, inscribing, and hybridizing across temporal contexts, he imbues them with symbolic agency—as vessels for guidance, protection, or spiritual resonance. Across painting, collage, and installation, his compositions channel a charged materiality that speaks to the alchemy of visual storytelling and the latent possibilities of the past.
Foisset’s work challenges normative structures, probing the boundary between lived experience and perceived reality. Through this, he reveals new mythologies within cultural debris—unearthed, reassembled, and empowered.
He has exhibited in numerous solo and group shows, including From a Time Before (Art Agenda, 2025), √2 (Square Root of 2) (Hatch Art Project, 2023), Broken Capitalism (Hatch Art Project, 2022), Monarch (Chan + Hori Contemporary, 2018), Peculiar Textures (Gallerie Steph, 2015), Cam Biasa (Art One 21, 2014), and Singapore Art Stage 2013 (Institute of Contemporary Arts Singapore, Marina Bay Sands). His works have also been shown at international fairs and are held in collections in Norway, Singapore,Thailand, Vietnam, and the United States.
Bradley holds a BFA (First Class Honours, summa cum laude) from LASALLE College of the Arts / Goldsmiths, University of London, where he received both the President’s Award and as a McNally Award finalist (Fine Arts Representative). He is a recipient of the Winston Oh Travel Award, having traveled through the Mekong Delta (Vietnam), and was recently invited to exhibit in the Winston Oh Lineage Travelogue Anniversary Exhibition (2024). Originally from downtown Buffalo, he graduated from The Buffalo Academy for Visual and Performing Arts (Photography, 1997).
Please direct inquiries regarding an extended list of archived projects to [email protected].
By manipulating objects through processes such as anointing, inscribing, and hybridizing across temporal contexts, he imbues them with symbolic agency—as vessels for guidance, protection, or spiritual resonance. Across painting, collage, and installation, his compositions channel a charged materiality that speaks to the alchemy of visual storytelling and the latent possibilities of the past.
Foisset’s work challenges normative structures, probing the boundary between lived experience and perceived reality. Through this, he reveals new mythologies within cultural debris—unearthed, reassembled, and empowered.
He has exhibited in numerous solo and group shows, including From a Time Before (Art Agenda, 2025), √2 (Square Root of 2) (Hatch Art Project, 2023), Broken Capitalism (Hatch Art Project, 2022), Monarch (Chan + Hori Contemporary, 2018), Peculiar Textures (Gallerie Steph, 2015), Cam Biasa (Art One 21, 2014), and Singapore Art Stage 2013 (Institute of Contemporary Arts Singapore, Marina Bay Sands). His works have also been shown at international fairs and are held in collections in Norway, Singapore,Thailand, Vietnam, and the United States.
Bradley holds a BFA (First Class Honours, summa cum laude) from LASALLE College of the Arts / Goldsmiths, University of London, where he received both the President’s Award and as a McNally Award finalist (Fine Arts Representative). He is a recipient of the Winston Oh Travel Award, having traveled through the Mekong Delta (Vietnam), and was recently invited to exhibit in the Winston Oh Lineage Travelogue Anniversary Exhibition (2024). Originally from downtown Buffalo, he graduated from The Buffalo Academy for Visual and Performing Arts (Photography, 1997).
Please direct inquiries regarding an extended list of archived projects to [email protected].