Quaranzine was created during the first lockdown of COVID-19 period. Over 100 artists submitted their work to refelect on what they have been doing and feeling over this unusual period. This zine compiles some of the best thought-provoking work and serves as a document of our emotions and anxieties during this time. We hope you all can relate
Issue 2 of The TigerMoth Review is now live, featuring poetry, art and photography from 29 contributors from Singapore, Malaysia, Burma, Cambodia, Bangladesh, India, Australia, Canada, USA, Bulgaria and Puerto Rico!
The Tiger Moth Review is truly privileged and thankful to be able to share with you the works of internationally established poets and artists like Lee Maracle, Ko Ko Thett, Vinita Agrawal, Kosal Khiev and Bradley Foisset to name a few, as well as new, promising voices like Faye Ng, Euginia Tan, Amrakajona Zakir (Zakir Hossain Khokan) and Priya Kahlon.
Thank you, and happy reading!
“Increasingly, art is consumed on Instagram and online platforms without the visceral, emotional connection. I believe it’s imperative to supply a place where visitors are able to experience the art ‘analog’ as the artist and curator intended,” shared Bradley Foisset, Lasalle Fine Arts alumnus and Business Development Manager.
An artist himself ,discover what it’s like to straddle the commerce and creative sides of the art world via his feature in YP SG
Images Courtesy of the artists and Chan + Hori Contemporary
[Minimalism: Space. Light. Object.
16 November 2018 to 14 April 2019]
ArtScience Museum is presenting a thematic exhibition exploring form, colour and spirituality, including the work of influential artists such as Carmen Herrera (Cuba-USA, 1915- ); Mona Hatoum (Lebanon/UK, 1952- ) and Richard Long (UK, 1945- ) as well as contemporary artists Song Dong (China, 1966- ); Tan Ping (China, 1960- ); Charwei Tsai (Taiwan/France/Vietnam,1980- ) and teamLab (Japan, 2001- ). Singaporean artist Jeremy Sharma (Singapore, 1977- ) will also be showcasing his new commission at the exhibition. I am honoured to have contributed to Spectrum Version 3 (The Monologues 2018).
Delighted to be invited and contribute to the 2018 initiative. 'Ruben Pang has a long waiting list. Latiff Mohidin is the first Southeast Asian artist in the region to have a solo at the Pompidou Centre. Loi Cai Xiang sold nearly all his works in his debut exhibition. Kamin Lertchaiprasert is collected by the Guggenheim. Yet these four sought-after artists along with 26 more - are coming together to make artworks for an Advent calendar charity sale.'
30 ARTISTS. $250 ORIGINALS. GOOD CAUSE.
Strength as Accident published and soon to be delivered. 100 signed artist copies as well as Ebook and Apple iPad formats for download over the web. November 15th will follow with links when the physical copies arrive. For signed editions contact firstname.lastname@example.org- Thank you!
Read more: http://www.blouinartinfo.com/news/story/3028334/exp-series-2-guang-hikari-monarch-at-chan-hori-contemporary
Japan-based international online magazine features creative culture: Singaporean fashion designer Josiah Chua and American visual artist Bradley Foisset
With this book featuring 100 collage works by 100 analogue and/or digital collage artists, ‘ANNUAL 2016’ will be a continuation of celebrating this community and the artists within it. I am honored to be chosen as of the best in 2016. For purchasing of " Annual 2016" please visit http://www.blurb.com/b/7676931-collage-collective-co-annual-2016
Optical science would force us to only classify the color pink simply as minus green, pink exists in a gap in the color wheel. A space that is occupied by gamma and radio rays, among other unseeable things. Pink is really only the absence of green and we technically shouldn't be able to see it. Left out of the visible spectrum and neither a particle nor a wave, our eyes miraculously invent pink to fill the gap. As a collage artist I approach my artworks in a painterly manner. I wished to examine the schism of these two very conflicting colors and collage as many greens and pinks as possible. During this process I was able to see the merger of color invented by my mind and hands alike. This exploration helped me to consider concepts on "nature" and ways of seeing. The abstract result is what I titled "Artificial Authenticity" Order the book here : http://www.blurb.com/b/7355151-collage-collective-co-green